Colette Copeland

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Colette Copeland is a interdisciplinary visual artist, arts educator, social activist and cultural critic/writer whose work examines issues surrounding gender, death and contemporary culture. Sourcing personal narratives and popular media, she utilizes video, photography, performance and sculptural installation to question societal roles and the pervasive influence of media, and technology on our communal enculturation.

Performance ArtVictorian WomanVideo Art & Short Film

Untitled (archery)

Filmed by Dacota Taylor | Sound Engineering by Steve Dupuis

In 2007, I made two videos inspired by Thomas Edison’s 1901 film entitled the Gordon Sisters Boxing. The sisters were the first female pugilists who toured vaudeville. I used the Victorian woman engaged in “unfeminine” athletic performance as an absurdist metaphor for the confines of gender as well as a spectacle of male desire. In 2011, I moved to Texas and Planned Parenthood lost its funding. Given the current social climate, I decided the Victorian woman (with a Marie Antoinette wig) needed to reappear. This time she takes on Jon Kyl, who erroneously stated to Congress that 90% of Planned Parenthood’s funding went to abortion services.

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