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Last summer, I was part of the collaborative, experimental sound art residency Field Kitchen Academy in Perleberg, Germany (outside of Berlin), studying with sonic thinker and composer Sam Auinger. I created some works with the female-identifying and non-binary residents, recording their voices individually in an 1830s old rusted barn silo. The inside of the silo had a swastika chalked on wall from vandals. We made a new drawing transforming the hate symbol into something positive and used our voices to embody the space into one that was more inclusive. Our residency theme was the Voice as Object, the Object (h)as Voice and each participant repeated the phrase in their 1st language.